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Reviews:

Danielle Farrow, "FRINGE REVIEW – Booking Dance, Rock It!" The Edinburgh Spotlight, August 19, 2010

Laurin Campbell, "Booking Dance Festival 3: Rock It!" The Skinny, August 18, 2010

Kris Eitland, "Rebellious brides top final day" San Diego Arts Online, August 26th, 2009

Victoria Looseleaf, "Rudy Perez Performance Ensemble A Tribute to Rudy Perez" Dance Magazine Online, June 6, 2009

Victoria Looseleaf, Dance Review, LA Times, September 18, 2007

Sara Wolf, "NOW FESTIVAL". Dance Magazine, November 2005, pp. 93-94.

Lewis Segal, "Words, and their powerful influences", Los Angeles Times, July 30, 2005, C2.

Lewis Segal, Original works at a premium”, Los Angeles Times, July 23, 2005, C1.

Victoria Looseleaf, "Lacking power, SOLA is still pleasant", Los Angeles Times, November 15, 2004, C3.

Jeremiah Day, "Concrete Steps: In Memorium", in Surface Tension: Problematics of Site. Ken Ehrlich and Brandon LaBelle, eds. Los Angeles, CA: Errant Bodies Press, 2003, pp. 293-298.

Ben Miles, "Soldier's Tale is a Classical History", The Seal Beach Sun, March 15, 2001, 14.

Mark Swed, "Long Beach Opera's Postmodern 'Euridice'", Los Angeles Times, October 9, 2000, F3.

Phillip Zonkel, "Dancing to a Higher Degree", Long Beach Press Telegram, February 23, 2000, C1.

Margaret Putnam, "Silent Storm" with photos (Seraphim Dance Theatre), Dallas Morning News, February 8, 1997, 41A.

Jennifer Dunning, "Inventive, Fluid Movement and the Telling Gesture" (Seraphim Dance Theatre), New York Times, October 30, 1995, C14.

Jennifer Dunning, "Footprints Project Dance Company", New York Times, January 18, 1993, C15.

Jack Anderson, "Ailey Troupe's South African Lament", New York Times, December 24, 1993, C3.

Jennifer Dunning, "New Ailey Center Celebrates With 9 Works and Money", New York Times, June 14, 1990, C17.